T7 Adds 10 New Artistic Associates!

We are so excited to announce that 10 new Artistic Associates have officially joined the T7 family! These ten artists have made outstanding contributions to the work on our stages, and we’ll officially welcome them after this Saturday’s 4pm performance of BlackTop Sky. Here’s a sneak peek at this diverse group of talented artists:

 

Joe Zarrow

Joe is a playwright and actor. In addition to T7, he has performed in Chicago with Pavement Group, Adventure Stage, Congo Square, Collaboraction, Walkabout Theatre Company, Vintage Theatre Collective, and New Leaf Theatre. His new play PRINCIPAL PRINCIPLE, originally seen in a T7 Shikaakwa reading, was recently featured at the Brown/Trinity Playwright’s Repertory in Providence, and Walkabout premiered his site-specific farce THE PIGEONS. Joe is proud to serve as the Literary Director of Pavement Group. You can learn more about Joe’s projects at joezarrow.com.

Next Project: Joe will be performing in Pavement Group’s Amuse Bouche 2013, April 8-10 at The Den.

Top T7 Memory: The sumptuous mustache I got to cultivate for The Chicago Landmark Project.

 

Cody Proctor

Cody worked with T7 on The Water Engine and We Live Here. Other Chicago credits include: The Iceman Cometh (Goodman); Idomeneus (Sideshow); Brand (Red Tape); The Moonstone (Lifeline); The Crucible (Infamous Commonwealth); . Cody also occasionally performs and travels with Alithea Mime Theatre, based out of Wichita State University, where he also received a BFA in Theatre Performance. Cody is from Overland Park, Kansas, but now considers Chicago his home.

Next Project: Cody is currently in rehearsals for Bertholt Brecht’s The Mother at Oracle Theatre, directed by Max Truax. The show opens on April 19th. This summer, Cody will be spending his third season with the Illinois Shakespeare Festival, with roles in Macbeth, The Comedy of Errors, and Failure: A Love Story.

Top T7 Memory: Our barbershop quartet warm ups before The Water Engine. Or, George breaking his arm during the run of We Live Here and having Nick Ward step in to play George. Then, George returning with a giant wrap around his immobilized arm.

 

Greg Williams

Greg is a Waukegan native, who received his BFA from the University of Illinois in Urbana-Champaign. He has also worked with Steppenwolf, Lookingglass, and Remy Bumppo Theatre.

Top T7 Memory: I like how the stories are all always meant to touch someone, or tell someone’s story. It’s rarely like, “Come see our art!” as much as it is, “Come see yourself in this art.”

 

 

 

 

Desmond Gray

Desmond’s T7 credits include The Chicago Landmark Project (Elijah) and We Live Here (Scott). Other Chicago credits include Hit The Wall (Mika) with The Inconvenience, a part of the Steppenwolf Garage series; Hellcab (Architect) at Profiles Theatre; Aida (Ensemble) with Bailiwick Chicago; Sketchbook ’12 with Collaboraction; In Darfur with TimeLine as an understudy. In addition to film and commercial work, Desmond is also the denim specialist and stylist at the Guess store on Michigan Ave, come visit! Many thanks and love to the awesome folks at T7, mom & dad and Gray Talent Group!

Next Project: Sketchbook ’13 with CollaboractionLeapFest X with Stage Left

Top T7 Memory: Not only is everyone uber talented, T7 folks support each other and the artists they’ve collaborated with. They’re a solid community I’m proud to be apart of.

 

Caitlin O’Rourke

Caitlin O’Rourke is a freelance stage manager and recent Chicago transplant.  She first worked with Theatre Seven on American Storm and is excited for many collaborations to come.  Other Chicago credits include Counterfeiters (Dog & Pony), The Mistakes Madeline Made (LiveWire), and Gruesome Playground Injuries (Rasaka Theatre Company).  Her regional theatre credits include How We Got On, The End – both part of the Humana Festival of New American Plays – The Christmas Story, The Mystery of Irma Vep, and The Kite Runner at Actors Theatre of Louisville.

Next Project: A Permanent Image with LiveWire.  At the DCA Storefront, April 4-May 5.  Come see it.  It will be awesome.

Favorite T7 Thing: I love being a part of a community of such passionate and talented artists – they challenge and inspire me every time we work together.

 

Chris Tabor

Chris is part of Chicago’s theatre community thanks, in whole, to Theatre Seven.  He studied Film (not theatre) at Columbia College Chicago so he’s just happy to be given the opportunity to work with such cool cats, smooth operators and genuinely talented artists.  Chris’s Theatre Seven credits include Exit, Pursued by a Bear and American Storm.

Next Project: Chris just edited and directed selected episodes of a web series, Kiss Like Big Dogs.  You can see it at kisslikebigdogs.com or at vimeo.com under his name.

Top T7 Memory: I get to be myself.  In certain professional situations there’s a pressure to change or hide something about yourself in order to be accepted.  What I like most about Theatre Seven is that I get to be a dork.

 

Behzad Dabu
Behzad is really thrilled to be an artistic associate with T7.  He grew up in Syracuse, NY, made Chicago his home in 2005 and has since been performing on various stages all over town; most recently, in Disconnect at Victory Gardens and Disgraced at American Theater Company. Other credits include, TheatreSeven’s We Live Here, First Folio’s Twelfth Night, The Goodman’s Christmas Carol, Holes at AdventureStage, and the original cast of The History Boys at TimeLine Theatre, where he will return this summer performing in Blood and Gifts. Behzad attended Columbia College Chicago, where he now works full-time in addition to acting and is represented by Paonessa Talent.

Next Project: Blood and Gifts at Timeline Theatre

T7 Big Thoughts: If it is true –  that artists are the authors of the culture of our time – then T7 are the artists I want to read.

 

 

 

Isabel Ellison

Raised in the mountains of Colorado, Isabel left Boulder at the age of 18 and moved to London to study acting at the Guildhall School of Music & Drama. After graduating, Isabel got her first job in Brett Neveu’s Red Bud which premiered at the Royal Court Theatre in London. She then appeared in The Children’s Hour on the West End, which was directed by Ian Rickson and starred Keira Knightly, Elizabeth Moss, Ellen Burstyn and Carol Kane. Last fall, Isabel relocated to Chicago. She has worked as an understudy for Ophelia in Hamlet at Writers’ Theatre, and interned for both Next Theatre and Theatre Seven. Isabel is currently in the ensemble of Measure for Measure at the Goodman Theatre, and she has just joined the Theatre Seven staff as a Literary Associate and Company Dramaturg.

Next Project: I am eager to start researching the history of incredible Chicagoan women in prep for Unwilling & Hostile Instruments!

 

Jessica London-Shields

Jess started her relationship with T7 while performing in We Live Here,  and has been giving them monster hugs ever since. Other shows she has done that she likes very much are MilkMilkLemonade with Pavement Group (where she is also an artistic associate), CherrySmoke  with the Side Project, and Spring Awakening  with Promethean Theatre.  She’s sure she did some other plays but forgot what they were… You can also see her face a lot, in the lezzie rom-com: Jamie and Jessie Are Not Together, available on Amazon.com.  Jess is a graduate of The Theatre School at DePaul University.

Next Project: Right now you can catch her in She Kills Monsters with Buzz22, alongside BlackTop Sky, as part of the Steppenwolf Garage Rep. Woot!

Top T7 Memory:  Everyone is GREAT at the monster hug.  I have also had the super fantastic opportunity to work with Cassy Sanders and Taylor Fenderbosch not once but TWICE.  I cannot think of people that I trust more in the rehearsal room, or any room really… I’m not sure about camping though… I think there has to be a room involved.

Lizzie Bracken

Lizzie has designed Theatre Seven scenery for BlackTop Sky and In The Heart of America. Other design credits include The Book Thief (Steppenwolf Theater Company); Six Characters in Search of an Author (The Hypocrites); 60 Miles to Silver Lake (Collaboraction); 44 Plays for 44 Presidents and costumes for Burning Bluebeard (The Neo-Futurists). Lizzie received her MFA in Scenic Design from the University of Texas at Austin and is an ensemble member with Barrel of Monkeys.

Next Project: Working on a project with the Hypocrites and Halena Kayes and Maggie Fullilove Nugent that is going to be so cool! It is called Ivywild and it opens in May.

Top T7 Memory: I love the T7 community.  I love the joy and dedication that the members of this company bring to each project.  It inspires me.

 

 

Off to the Races: T7 Featured in New City Magazine

Here’s a screenshot from a recent profile on T7′s American Storm and our upcoming season in Chicago’s NewCity magazine.

 

Theatre Seven Golf Outing

Date: Saturday September 8, 2012
Starting time: 9:00 a.m. to 11:30 a.m. (starting tee times will be assigned in order of registration)
Place: Sydney R. Marovitz Golf Course (a.k.a. Waveland)
3600 North Recreation Drive (off of Lake Shore Drive)
Chicago, IL 60613
(312) 742-7930 ext. 6

Day of Event Contact: Paul Hybel at 773-931-5129
To Reserve Your Spot: Click Here!

Announcing another World Premiere! For the first time on any stage!

Starring your foursome of intrepid golfers.

Set Design by Mother Nature. Lighting by Solar Power Unlimited.

The Plot: You and three other golfers arrive at 9:00 a.m. at the infamous Waveland Golf Course on beautiful Lake Michigan for what is supposed to be a friendly 9 holes of golf. When suddenly you’re thrown headlong into a maelstrom of confusion: a 4-person scramble! Each member of your foursome tees off. Carefully analyzing the resulting ball positions, you all play your second shot from the best of the tee shots. Arguments ensue as to which is the best ball to play, and players farcically switch roles as the worst player on one shot becomes the best on the next. Play continues similarly on each stroke until you “hole your putt”, moving quickly to the next hole. The darker side of human nature is on grand display as each of you digs down deep within yourself to determine whether your seeming friendship is fundamentally strong, or as fragile as a golf tee shattered by a driver!

Cost: $65 per person, or $225 for a foursome
Sign up as a foursome, or individually and we will match you with other golfers.

A limited number of golf carts are available and will be assigned on a first to register basis.

PRIZES FOR THE LOW FOURSOME!

Additional prizes:
Longest Drive (in the fairway) (5th hole)
Closest to the Pin (6th hole)
Longest Putt (3rd hole)

Light snacks at the Clock Tower Café immediately following your round.

From the Mouths of Interns – Part 1

Glitz. Glamour. Unpaid Internship. I’m living the dream y’all.

Let’s get some context here. My name is Max. I moved to Chicago literally five minutes ago from a small town in Michigan. Okay so it was actually a month ago but I still feel like I have the common sense of a person who moved here five minutes ago. Seriously I don’t even have an umbrella. I immediately started my internship with Theatre Seven of Chicago and was very grateful to find that I would be spending my summer with a group of people who are all significantly more fun/exciting/attractive than I am. Or any of you, for that matter. THEN I was approached to write about my life as an intern for the Theatre Seven blog! Slam dunk! You see, the goal here is to show you, my adoring fans, a more in-depth look at what goes into running an emerging theatre from the ground up. And who is closer to the ground than an unpaid intern? Enough basics, let’s begin.

For our first dip in to the knowledge pool, I’m going to give you the dirt on… THE OPENING NIGHT RECEPTION. For an intern, the Opening Night Reception is like going to the Oscars except you have to occasionally go run the snack table in your tuxedo (they have snacks at the Oscars, right?). I was pretty nervous when I walked in. This probably was due to the fact that I had just moved to a city with no money or income or friends or Netflix account and a nervous breakdown was floating just below the surface at any given moment. Living the dream y’all! But I was determined to nail the first true test of my intern potential. I quickly learned that the major goal of the night was to make things as pleasant as possible for the press. They were coming out to see our (fantastic) show, the least we could do is give them a piece of pie and a smile. And that is exactly what my duties were. I have to say I really nailed it with the snack table. I ran that snack table like… well, like I was at the Oscars. At one point, I ran into a friend and we started a conversation. She then said, “Sorry, I’ll leave, go do your networking!”… Networking? Was I supposed to be networking? What does networking even mean? Are you there, Networking? It’s me, Max. I decided to do my own brand of networking, which is called “see which chip tastes best with French onion dip”. I walked out of there with a lot contacts except that all of my contacts were chips. Like I said, living the dream y’all!

So there is your introduction to the intern lifestyle. I know you are desperate for more, my loyal subjects, so I’ll get back to you very soon…right after I finish editing this email list.

Meet the Artist: Ryan Lanning

In Exit, Ryan Lanning delights as the hilarious and fiery cheerleading best friend, Simon. This fast-talking actor slowed down for a moment to tell us a bit about the show.

T7: What did you think when you first read this play?
RL: My initial thought while reading the script was “What IS this? Duct tape? Honey? Bears?” but when I really got into it I started understanding that Lauren really took a very important subject and made it a conversation piece in a very interesting way. I was always very interested to see how the taping thing would work since Kyle needs to be untaped then taped back up again very quickly.

T7:What do you love about this play?
RL:I love that Lauren created such a diverse array of characters. And I love that, though there are stereotypes involved, everyone is deadly serious about their love for Nan and their task of getting her out.

T7:What do you most connect with in Exit?
RL:I can relate to Nan’s struggle with Kyle. The wanting to believe that someone will change or has changed and that your relationship with them will be improved going forward when – in reality – change like that rarely occurs. It is difficult to say goodbye to a relationship, but sometimes it is truly the best thing to do for both people.

T7:Why this play? why now?
RL:Because domestic violence, abuse, and bullying is still very much a part of our culture and we still need to keep it in conversation.